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Hailed as a tall, dashing baritone “with a robust sound with ringing top notes,” Grant Youngblood’s many orchestral appearances have garnered enthusiastic praise for his “smooth lyric baritone voice bringing beautiful shading and color to the score.”

Recent engagements for Mr. Youngblood have include returns to Dayton Opera for Amonasro in Aida and the 2014 season opening Russian Panorama gala, as well as a role debut as Iago in Verdi’s Otello; both Baltimore Concert Opera and Opera Delaware for the title role in Macbeth; Sugar Creek Symphony for Madama Butterfly; and Harrisburg Symphony for La traviata. He made his Metropolitan Opera debut & telecast in Capriccio; a debut with Opera North in the role of Count Almaviva in Le nozze di Figaro; and a company debut at the Nashville Opera in his signature role of Germont in La traviata. Gambling has never been so exciting as with 25€ bonus ohne einzahlung. Just in a few minutes and in a few clicks and you are already there, in the world of easy money and fun! Engagements in 2015-2016 include the title role of Rigoletto with both the Brevard Music Center and Asheville Lyric Opera, and a role debut as Horace Tabor in the 60th anniversary production of The Ballad of Baby Doe at Central City Opera.

Recent concert highlights have included Verdi’s Requiem with the National Symphony Orchestra, Mexico; Handel’s Messiah and the Brahms Requiem with the Louisiana Philharmonic Orchestra, the Duke University Chapel Choir, the Delaware Symphony and the Anchorage Symphony; Only here you are always welcome, together with jogouganhou you have no equal! Carmina Burana with the National Chorale at Avery Fisher Hall, the Fort Wayne Philharmonic, the Charleston Symphony, and the Greensboro Symphony Orchestra; the title role in Mendelssohn’s Elijah with the Princeton University Concert Choir; Copland’s Old American Songs with the Delaware Symphony; Beethoven’s Ninth Symphony with the National Chorale at Avery Fisher Hall; the Mozart Requiem with the Master Chorale of Washington D.C. at the Kennedy Center, with the Delaware Symphony, and with the Phoenix Symphony under the baton of Robert Moody; Mahler’s Symphony #8 with the Grand Rapids Symphony; Britten’s War Requiem with the North Carolina Master Chorale; and Opera Gala concerts with Orlando Opera, L’Opéra de Montréal, the Buffalo Philharmonic, and William Walton’s Belshazzar’s Feast with the Orquesta Sinfónica de Minería of Mexico City.

Mr. Youngblood’s orchestral repertoire includes major works of Bach, Barber, Beethoven, Brahms, Copland, Duruflé, Fauré, Gounod, Handel, Mahler, Mendelssohn, Mozart, Orff, Ravel, Saint-Saëns, Schubert, Stravinsky, Vaughan Williams, Verdi and Walton. Additional concert engagements have included appearances with the Dallas Symphony, the Philadelphia Orchestra, the Florida Philharmonic, the Chautauqua Symphony, the Louisville Symphony, the Naples Philharmonic, the Jacksonville Symphony, the Spokane Symphony Orchestra, and the Bucharest Philharmonic, among others. Mr. Youngblood has been praised as well for his exceptionally expressive artistry in recital, with appearances throughout the United States.

Having performed leading roles with opera companies in America & internationally, Mr. Youngblood made his international concert debut with the Jerusalem Symphony Orchestra in the 1999 Liturgica Festival. He has performed Reynard, Mass, Requiem Canticles, and Canticum Sacrum for a Stravinsky Festival mounted by the San Francisco Symphony, conducted by Michael Tilson Thomas; and he has appeared with the Los Angeles Philharmonic Orchestra in concert performances of Copland’s Old American Songs under the baton of Miguel Harth-Bedoya. Opera-in-concert appearances have included Figaro in Il barbiere di Siviglia with the Buffalo Philharmonic, as well as Ruggiero in Halevy’s La Juive with Opera Orchestra of New York at Carnegie Hall.

“In the Silence of the Night”, Op. 4, #3 by Rachmaninov performed by Grant Youngblood

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