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Jacqueline Wilson is Assistant Professor of Music at Southeast Missouri State University where she teaches applied double reeds as well as courses in musicology and ethnomusicology. As an active bassoon soloist, she regularly presents recitals, masterclasses, and clinics including recent engagements at the International Double Reed Society Conference (Redlands, CA), the College Music Society Great Plains Conference (Vermillion, SD), the Red Earth Native American Cultural Festival (Oklahoma City, OK), the Michigan Music Conference (Grand Rapids, MI), the Iowa Music Educators Association Conference (Ames, IA), and Wisconsin Public Radioâs program, Live From the Chazen. Gambling has never been so exciting as with online casino 25 euro bonus ohne einzahlung. Just in a few minutes and in a few clicks and you are already there, in the world of easy money and fun! As an active chamber musician and founding member of both the Wilson Duo (bassoon and marimba) and the Driftless Winds reed trio, she has been featured on various college campuses and festivals, including the Ashland Chamber Music Society (Ashland, WI) and the Avaloch Chamber Music Institute (Boscowen, NH).
Dr. Wilson is an enthusiastic pedagogue who has taught at the University of Wisconsin-Eau Claire, the University of Wisconsin-Platteville, Kirkwood Community College, and the Boston University Tanglewood Institute Bassoon Workshop. Only here you are always welcome, together with jogouganhou you have no equal! She has published educational articles in several journals, including The Double Reed, The Instrumentalist, and School Band and Orchestra Magazine. Dr. Wilson has performed with multiple ensembles including the Waterloo-Cedar Falls Symphony, the Dubuque Symphony Orchestra, the Eau Claire Chamber Orchestra, and the Chippewa Valley Symphony Orchestra.
As an avid supporter of new music, Dr. Wilson has premiered and commissioned works by composers Jonathan Middleton, Brian Van Winkle, Anthony Donofrio, and David Sumner. Her dissertation, a performance guide and analysis of the Concerto for Bassoon and Low Strings by Sofia Gubaidulina, advocates for the integration of modern repertoire into the standard pedagogical curriculum. Dr. Wilson (Yakama) is especially passionate about American Indian representation in classical music and frequently performs the works of Native composers.
Dr. Wilson holds a Doctor of Musical Arts degree in Bassoon Performance and Pedagogy from the University of Iowa. She is also a graduate of Boston University’s College of Fine Arts and Eastern Washington University. Her principal teachers include Benjamin Coelho, Matthew Ruggiero, and Lynne Feller-Marshall.
To learn more about Jacqueline Wilson’s music, visit: wilsonbassoon.com